"We live in a world of dreamers and artists, all of us- teachers and
students with a story of our own. A story through music, a story through
rhythm, the one in colours and in brush strokes, one story in movement, the one
in speech, and then, those stories in the eyes; a million stories waiting to be
told and to be heard. This is a story of the poets of the spoken word."(Veda Nadendla)
About
a year ago, I watched Chimamanda Ngozi Adichie’s Ted Talk, “The Dangers of a
Single Story” for the first time in my English II class. The professor then
gave us an assignment: What single story may people perceive when they look at
you? When a
story is endlessly repeated it assumes the status of truth. Single stories can
be dangerous, not because they are untrue: there is always some truth to a
single story. The danger is when the one story
becomes the only story.
Given the assignment, I decided to go about it a different way. I wrote a poem.
Growing up I was always fascinated by the act of storytelling through the form
of poetry. Through this poem I dispelled a few stereotypes that revolve around
being a Muslim woman living in a Western World. A few weeks pass, and I was
approached by a different professor on campus. She had told me that my English
professor had showed her my poem and she was blown away by how powerful the
message in my poem was conveyed. She really thought that it can be transformed
into something bigger, beyond the classroom. Now I am by no means a writer, but
it sure was a good feeling to be noticed for a piece of work that I had
written.
“Spoken word poetry is the type of poetry that
is written on a piece of paper, but performed for an audience. A performance
unlike a theatrical monologue, the spoken word is an ecstatic rendition of a
personal experience using word play, free association, alliteration and slang.
Zeal and attitude are the key ingredients. Spoken word relies on the poet’s own
experiences and his or her own narrative style. It is almost like a chic rant
of aggression waiting to be unleashed. Since it is performed poetry, spoken
word gives the writer the freedom of slang and uncontained rhythm in expressing
their piece.” (Veda Nadendla).
Where will this video live? This
video will live on the YouTube platform. I will also use Twitter as a means of
sharing and using the hashtag “#DYSS” (Dispel Your Single Story). My goal of
this project is to encourage others to dispel their single story, and tell
their own story: whether it be through poetry, dance, illustration, or any other
form of art. I want this project to become the reason people are informed and
become less ignorant about certain issues.
When thinking about the activism in
the Guerilla Girls, their work brought awareness to certain topics and issues
through advocacy and activism. They used their platform to “complain” about
issues they wanted to change. I am doing something similar. Through my poetry, I
am complaining about “single stories” by telling my own story and owning it:
making it mine. Hopefully my project will encourage other young activists to “complain”
with me and tell their own stories. Get #DYSS trending with me and Dispel Your Single Story!
Sources:
Nadendla, Veda. “The Art Of Storytelling In Rhythm: Spoken Word Poetry Through Ages.” Youth Ki Awaaz, 28 July 2014, https://www.youthkiawaaz.com/2014/07/art-storytelling-rythm-spoken-word-poetry-ages/.
Radin, Charlie. “Further Reading: Activism Through Poetry.” The New York Public Library, The New York Public Library, 27 Oct. 2015, https://www.nypl.org/blog/2011/08/16/further-reading-activism-through-poetry.
Adichie, Chimamanda Ngozi. “The Danger of a Single Story.” TED, https://www.ted.com/talks/chimamanda_adichie_the_danger_of_a_single_story?language=en#t-27265.
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